Birthday: 1946-08-09
Place of Birth: Mülheim an der Ruhr, Germany
Biography: Trained as a painter, O. was cofounder of the Hamburger Filmschau, alongside with her husband and collaborator Werner Nekes. For all the psychedelia of her early work, subsequent films are rigorous in refractory experimentation: rear-projections, double-impositions, repeated frames and breathtaking lunges of the handheld camera, which seems bolstered as much by raw impulse as it does by any guiding principle of onscreen organization. O.’s work establishes its own space-time linearities, then argues them against each other–sometimes content with a mild flicker, a closing or opening aperture or a flurry of blunt smears. This is a playful and often freefalling visual poetics, best left to wash over you pure and analyzed later (or better yet, not at all.)
A strange succession of tableaux of four women and a man which gives the sense of a sort of dream fa...
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The film is divided into five parts differing in pictorial and musical structure. The plot, two wome...
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A montage experiment in which Dore O., her body painted in different colours, swings back and forth ...
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"...Nekes retreats behind his film. What is left is a double portrait, in which neither Dore 0. nor ...
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Hurrycan has nothing to do with whirlwinds, although in this Nekes film the pictures journey across ...
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Diwan, a lyric anthology, an outdoor movie with people. With people living in the surrounding precio...
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A documentary about the 'critical mass', the Film Coop, a group of young filmmakers in Hamburg durin...
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Attracted to Nordic landscapes, [Dore O.] filmed KALDALON (1970/71) in Iceland where images of water...
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Dore O. and later Nekes speak to each other and into the camera, slowly and deliberately like a spee...
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Director Werner Nekes has created this experimental film in the mode of James Joyce's Ulysses to the...
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A fixed shot showing six persons, looking into the camera inertly. Gradually tiny, minimal movements...
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