Ozualdo Ribeiro Candeias

Ozualdo Ribeiro Candeias

Birthday: 1918-11-05

Place of Birth: Cajobi, São Paulo, Brazil

Biography: Ozualdo Ribeiro Candeias (1918 – 2007) was a Brazilian screenwriter, editor, photographer, director of photography, actor, producer and filmmaker. Candeias is believed to have been born in 1918, but was only registered in the town of Cajobi, in the state of São Paulo, in 1922. He worked in a number of jobs, from aeronautics sergent to truck driver. A self-taught filmmaker, he released his debut feature "A Margem" in 1967, a starting point for the Cinema Marginal movement (also dubbed Cinema de Invenção), which would forever change paradigms in the history of Brazilian cinema. Longing for distribution company for it, he turned to the Boca do Lixo, a block in downton São Paulo then known as a stronghold to independant filmmakers. A passionate advocate for the Boca, he paid homages to it in both short and feature films. His work is composed of numerous shorts and feature-length films, mostly depiciting life of communities either in urban or rural Brazil dealing with life in poverty. Among the genres Candeias has worked with are horror, western, exploitation and drama, although his films are hard to categorize due to their experimental nature. Although a few of his features met commercial success, such as 1969s "Meu Nome É Tonho", Candeias' films had a notoriously small audience during his lifetime. "Caçada Sangrenta" (1974) and "A Freira e a Tortura" (1983), two of his features aimed at a more conventional public, emerged from a deal with producer/actor David Cardoso, who had previously starred in "A Herança" (1971), Candeias' take on Hamlet reimagined as taking place in rural Brazil. Candeias' picture "Aopção ou As Rosas da Estrada" (1981) won the Bronze Leopard at the Locarno Film Festival. His last feature, "O Vigilante" (1992), won the Special Jury Award at the 25th Brasília Film Festival, but was never distributed at the theatres.

Movies

The Good Cinema
The Good Cinema

An authentically marginal cinema created in Catholic university in Brazil. One of the most intriguin...

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Macabre Dr. Scivano
Macabre Dr. Scivano

Edmundo Scivano returns to his hometown after years of failure in his political career. Discredited,...

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Ozualdo Candeias and the Cinema
Ozualdo Candeias and the Cinema

Using a mixture of film clips and interviews with Ozualdo Candeias himself the film tells the direct...

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Soberano
Soberano

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A América do Sul
A América do Sul

In 1968, Candeias made five short films shot by him in the South American countries of Argentina, Pa...

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Rua do Triumpho - O Filme
Rua do Triumpho - O Filme

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The Red Light Bandit
The Red Light Bandit

Born and raised in the misery of Brazilian slums, Jorge becomes a luxury house burglar in São Paulo ...

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The Awakening of the Beast
The Awakening of the Beast

A psychiatrist experiments on four volunteers with LSD to examine 60's drug culture, soon unleashing...

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Sinal Vermelho - As Fêmeas
Sinal Vermelho - As Fêmeas

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Orgy or The Man Who Gave Birth
Orgy or The Man Who Gave Birth

A countryman kills his father and heads for the big city. On his way, he meets the most bizarre and ...

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Candeias: Da Boca pra Fora
Candeias: Da Boca pra Fora

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Boca Aberta
Boca Aberta

A discussion on Brazilian cinema, focusing on São Paulo's Boca do Lixo production pole....

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19 Mulheres e 1 Homem
19 Mulheres e 1 Homem

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O olhar singular de Ozualdo Candeias
O olhar singular de Ozualdo Candeias

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Que Filme 'Tu Vai' Fazer?
Que Filme 'Tu Vai' Fazer?

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The Beauties of Billings
The Beauties of Billings

A travelogue through the remains of São Paulo failing 80s economy, including its in ruins film indus...

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Ozu Piroclástico
Ozu Piroclástico

Pyroclastic flows (also known as a pyroclastic cloud or pyroclastic wave) are the devastating result...

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Candeias: Um Ser do seu Tempo
Candeias: Um Ser do seu Tempo

Ozualdo Candeias was a grumpy truck driver. He never lost the verve of this strange form of freedom,...

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