Jules Dassin

Jules Dassin

Birthday: 1911-12-18

Place of Birth: Middletown, Connecticut, USA

Biography: From Wikipedia, the free encyclopedia Julius "Jules" Dassin (December 18, 1911 – March 31, 2008) was an American film director, producer, writer and actor. He was a subject of the Hollywood blacklist in the McCarthy era, and subsequently moved to France, where he revived his career. Dassin quickly became better known for his noir films Brute Force (1947), The Naked City (1948), and Thieves' Highway (1949), which helped him to become "one of the leading American filmmakers of the postwar era." Dassin's most influential film was Rififi (1955), an early work in the "heist film" genre. It inspired later heist films, such as Ocean's Eleven (1960). Another piece it inspired was Dassin's own heist film Topkapi, filmed in France and Istanbul, Turkey with Melina Mercouri and Oscar winner Peter Ustinov. Dassin said Darryl F. Zanuck in 1948 called him into his office to inform him he would be blacklisted, but he still had enough time to make a movie for Fox. Dassin was blacklisted in Hollywood during the production of Night and the City (1950). He was not allowed on the studio property to edit or oversee the musical score for the film. He also had trouble finding work abroad, as U.S. distribution companies blacklisted the U.S. distribution of any European film associated with artists blacklisted in Hollywood. In 1952, after Dassin had been out of work for two years, actress Bette Davis hired him to direct her in the Broadway revue Two's Company. The show closed early, however, and Dassin left for Europe. Dassin did not work as a film director again until Rififi in 1954 (a French production). Most of Dassin's films in the decades following the blacklist are European productions. His prolific later career in Europe and the affiliation with Greece through his second wife, combined with a common pronunciation of his surname as "Da-SAN" in Europe, as opposed to "DASS-in" in the United States leads to a common misconception that he was a European director.

Movies

Rififi
Rififi

Out of prison after a five-year stretch, jewel thief Tony turns down a quick job his friend Jo offer...

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Never on Sunday
Never on Sunday

An American scholar in Greece sets about improving the local prostitute with whom he is infatuated....

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Phaedra
Phaedra

A modern retelling of the Greek myth of Phaedra. The young and fiery second wife of an extremely wea...

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Buzz
Buzz

A journey to places, where the overlooked Hollywood screenwriter Albert Isaac "Buzz" Bezzerides live...

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Urok Francuzskogo
Urok Francuzskogo

A documentary about a relationships between USSR and France....

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Thieves' Highway
Thieves' Highway

Nick Garcos comes back from his tour of duty in World War II planning to settle down with his girlfr...

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Elective Vicissitudes: The Radical Exiles of Jules Dassin
Elective Vicissitudes: The Radical Exiles of Jules Dassin

In 1968, filmmaker Jules Dassin collaborated with Ruby Dee and civil rights activist Julian Mayfield...

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Filmmakers in Action
Filmmakers in Action

What is the state of cinema and what being a filmmaker means? What are the measures taken to protect...

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The Long Haul of A.I. Bezzerides
The Long Haul of A.I. Bezzerides

Filled with humor and defining experiences in both his own life and in the lives of some of his clos...

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Balkan Landscapes: The Gaze of Theo Angelopoulos
Balkan Landscapes: The Gaze of Theo Angelopoulos

Theo Angelopoulos recalls the defining moment in 1964 that led to him to live his entire life in Gre...

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Theo Angelopoulos: A Lifework in Film
Theo Angelopoulos: A Lifework in Film

Theo Angelopoulos: A Lifework in Film...

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Promise at Dawn
Promise at Dawn

A single mother raises her son in impossible circumstances first in Leningrad, then Krakow, and then...

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Topkapi
Topkapi

Arthur Simon Simpson is a small-time crook biding his time in Greece. One of his potential victims t...

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