Birthday: 1951-01-25
Place of Birth: Queens, New York, USA
Biography: A pioneer in the medium of video art, Bill Viola's work explores the spiritual and perceptual side of human experience. Since 1970 he has created videotapes, architectural video installations, sound environments, electronic music performances and pieces for television. Works include Hatsu Yume (First Dream), The Passing, and installations Room for St. John of the Cross, The Messenger and The Quintet of the Astonished, recently shown at the National Gallery, London in "Encounters, New Art from Old". A 25-year survey exhibition of his work organized by The Whitney Museum of American Art recently traveled to 6 institutions in the USA and Europe. MacArthur Fellow.
The fourth video in the five-part digital-image cycle project "Going Forth By Day" (2002), "The Voya...
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Return is a methodical construction of the approach of an individual towards an unseen goal, which a...
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"I Do Not Know What It Is that I Am Like" juxtaposes images of animals, both wild and domestic, and ...
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Hailed as the "Rembrandt of the Video Age," renowned American artist Bill Viola became the first con...
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Viola's seminal piece, The Reflecting Pool, was made three decades ago on analogue video tape and ye...
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Gerald Fox’s film documents Bill Viola and his wife and close collaborator Kira Perov’s odyssey to c...
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Using the words and ideas of great filmmakers, from archival interviews with Alfred Hitchcock and Ro...
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The film is a five-part projection-based installation, which addresses the complexity of human exist...
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Migration is an analysis of an image, a metaphorical exercise in perception and representation, illu...
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