Heiner Müller

Heiner Müller

Birthday: 1929-01-09

Place of Birth: Hamburg, Germany

Biography: Heiner Müller was a German dramatist, poet, writer, essayist and theatre director. His "enigmatic, fragmentary pieces" are a significant contribution to postmodern drama and postdramatic theatre.

Movies

Unter Deutschen
Unter Deutschen

Documentary filmmaker Troller criss-crosses post-reunified “Transgermania” for a year, probing Germa...

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Ich will nicht wissen, wer ich bin - Heiner Müller
Ich will nicht wissen, wer ich bin - Heiner Müller

This film not only illuminates Heiner Müller's life and works, it is more about questioning the "Sph...

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Keine Hand wäscht die Andere
Keine Hand wäscht die Andere

On the run from her criminal Italian husband, a young French woman meets a German lover in West Berl...

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At Work in the Ruins of Morality
At Work in the Ruins of Morality

Quoting from historian Tacitus' Annals, Alexander Kluge and Heiner Müller delve into the Roman Iron ...

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Every Frozen Structure has its Academy
Every Frozen Structure has its Academy

At the time of the conversation Heiner Müller was the president of the Academy of Arts - East. At th...

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Rome, as Far Away as the Moon
Rome, as Far Away as the Moon

Movie scenes, montages of images and text, as well as conversations between Alexander Kluge, playwri...

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“Wastage” of humans / Comrade Mauser / “Victim of History”
“Wastage” of humans / Comrade Mauser / “Victim of History”

In this conversation, taking place shortly after the German reunification, Alexander Kluge and Heine...

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Mind, Power, Castration
Mind, Power, Castration

Here Müller and Kluge explicitly address a theme that is latently present in many of their conversat...

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Portrait of Heiner Müller for his 60th Birthday
Portrait of Heiner Müller for his 60th Birthday

This portrait of Heiner Müller on the occasion of his 60th birthday is devoted for the most part to ...

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Conversation with Heiner Müller in Garath
Conversation with Heiner Müller in Garath

In 1989, Heiner Müller staged an unabridged seven-and-a-half hour Hamlet, because in the process of ...

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Some Kind of Shadow Machines Were Passing by
Some Kind of Shadow Machines Were Passing by

In this interview Müller and Kluge explore the East German’s memories of the final days of the war. ...

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Heiner Müller on Legal Questions
Heiner Müller on Legal Questions

"The metaphor is cleverer than the author" (Lichtenberg), a "screen," an "instrument for bundling" (...

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Frederick of Prussia
Frederick of Prussia

Kluge here presents a portrait of Friedrich the Great by means of quotations, film clips, historical...

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The Death of Seneca
The Death of Seneca

Citing Nietzsche, Müller describes the motive of the philologist as "greed," "simply wanting to have...

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Under the Sign of Mars
Under the Sign of Mars

This "music magazine" is a montage of visually alienated historical film clips of tanks and soldiers...

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Plowshare of Evil
Plowshare of Evil

Citing Nietzsche, Müller defines intellectuals as the "ploughshares of evil," whose task it is "to c...

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Anti-Opera
Anti-Opera

Heiner Müller was invited to a conference in Japan on the fate of opera in the 20th and 21st century...

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The Poet as Metaphor Slingshot
The Poet as Metaphor Slingshot

The point of departure for this discussion is the question of whether the collapse of the Soviet Uni...

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The Last of the Mohicans
The Last of the Mohicans

A news magazine program on important aspects of the history of postrevolutionary Cuba, consisting of...

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The World is Not Bad, but Full
The World is Not Bad, but Full

The central topic of the interview is the ancient concept of a necessary balance between the dead an...

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The Voice of the Playwright
The Voice of the Playwright

One of Müllers's vocal cords was paralyzed as a result of a life-saving radical operation (1995). At...

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On the Way to a Theater of Darknesses
On the Way to a Theater of Darknesses

The conversation begins on the topic of Müller’s plans for new plays. Müller tells us that he has pr...

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I Owe the World a Dead Person
I Owe the World a Dead Person

In order to justify interpreting the Oresteia as a representation of the "birth of democracy" (P. St...

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Queen of Hearts on Judgment Day
Queen of Hearts on Judgment Day

The horizon of this conversation is marked by Müller's personal memories, reflections about ongoing ...

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He Who Smokes Looks Cold-Blooded
He Who Smokes Looks Cold-Blooded

A few months before his death, Müller responded to the keywords "breathing" and "smoking" with an an...

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Epic Theater & Post-heroic Management
Epic Theater & Post-heroic Management

The discussion begins with the parable of a frog in boiling water. It comes from the book "Post-hero...

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Heiner Müller in Time Flight
Heiner Müller in Time Flight

Müller describes Ovid's Metamorphoses, Golding's translation of which (1603) was one of Shakespeare'...

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Omnivore Democracy
Omnivore Democracy

In this journal, Alexander Kluge and Heiner Müller talk about the dark side and the inevitability of...

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My Rendezvous with Death
My Rendezvous with Death

The title of the interview is from a line in a poem written by an American about the battle of Ypern...

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Rigor Was His Mark of Quality
Rigor Was His Mark of Quality

Heiner Müller defines Stoicism as an attempt to deal with anarchy. For him, Erich Honecker is an exa...

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Die Zeit ist aus den Fugen
Die Zeit ist aus den Fugen

From August 1989 to March 1990, Heiner Müller and the Deutsches Theater ensemble develop “Hamlet/Mas...

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Der Ausländer
Der Ausländer

Documentary by Thomas Heise filmed in East Berlin in 1987/88....

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Robert Wilson and the Civil Wars
Robert Wilson and the Civil Wars

Robert Wilson and the Civil Wars is an in-depth documentation of Robert Wilson’s ambitious attempt t...

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"Kino 81" - Stillness, a film magazine by film critics
"Kino 81" - Stillness, a film magazine by film critics

An issue of the magazine Kino 81, designed for the film department of WDR by staff of FILMKRITIK...

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