Birthday: 1942-04-05
Place of Birth: Newport, Gwent, Wales, UK
Biography: Peter Greenaway, CBE (born 5 April 1942) is a Welsh writer-director, painter, and video artist based in Amsterdam. Throughout the late 1960s and '70s, he produced several experimental documentary/mockumentary shorts while working as a film editor for the Central Office of Information. This early period culminated in "The Falls" (1980), a three-hour mockumentary indexing the strange effects of the VUE (the Violent Unknown Event) on 92 people whose names begin with the letters F-A-L-L. He made his dramatic feature film debut with "The Draughtsman's Contract" (1982), and throughout the 1980s directed a string of critically acclaimed and frequently controversial films: "A Zed & Two Noughts" (1985), "The Belly of an Architect" (1987), "Drowning by Numbers" (1988), and his best-known work, the vicious Thatcher-era satire "The Cook, the Thief, His Wife & Her Lover" (1989). In the 1990s, he directed the Shakespeare adaptation "Prospero's Books" (1991), controversial religious satire "The Baby of Mâcon" (1993), erotic drama "The Pillow Book" (1996), and "8½ Women" (1999), an homage to the films of Federico Fellini, a major influence on Greenaway. In the early 2000s, Greenaway embarked on the ambitious "Tulse Luper" project, a multimedia body of historical fiction revolving around the life of the eponymous fictional hero. In addition to novels, CD-ROMs, online material, and a touring exhibition, the project spawned a trilogy of feature films: "The Tulse Luper Suitcases, Part 1: The Moab Story" (2003), "The Tulse Luper Suitcases, Part 2: Vaux to the Sea" (2004), and "The Tulse Luper Suitcases, Part 3: From Sark to the Finish" (2004). The trilogy was followed by a fourth feature, "A Life in Suitcases" (2005), which abridges the Tulse Luper saga into a single film. Since the mid 2000s, Greenaway's film work has focused on idiosyncratic, heavily fictionalised biopics dedicated to some of his favourite artists: Dutch Golden Age painter Rembrandt van Rijn in "Nightwatching" (2007), Dutch Baroque engraver Hendrik Goltzius in "Goltzius and the Pelican Company" (2012), Soviet Russian filmmaker Sergei Eisenstein in "Eisenstein in Guanajuato" (2015), and Romanian-French sculptor Constantin Brâncuși in "Walking to Paris" (TBD). Greenaway has lived and worked in Amsterdam since the mid 1990s. He is married to artist Saskia Boddeke, with whom he has two children. He also has two children from a previous marriage to potter Carol Greenaway.
Searching for the roots of Peter Greenaway in his films, this artful documentary begins with a work...
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In this previously unseen backstage documentary, Peter Greenaway responds with great generosity to t...
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The exploration of the effects of an unexpected catastrophe, known as VUE (violent unknown event) th...
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A sort of documentary on the people known to have fallen out of windows in a certain time frame in a...
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Ostensibly, a film about a child's pictorial alphabet stuck on the letter H....
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Exhibition on Screen's latest release celebrates the life and masterpieces of Hieronymus Bosch broug...
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A narrator relates a variety of peculiar stories involving characters with the initials HC and their...
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A short film by Peter Greenaway. It depicts the painting The Wedding Feast at Cana by Paolo Veronese...
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A short ironic film about a missing nail in the iconography of Christ and his depiction in da Vinci’...
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This critically acclaimed DVD contains 16 of the best classic and award winning British short films ...
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Peter Greenaway presents this "Commentary in one hundred parts" on Drowning by Numbers (1987), discu...
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Close to Greenaway takes us behind the scenes of the first part of the trilogy The Tulse Luper's Sui...
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Peter Greenaway remembers his first meeting with Rotterdam Film Festival director Hubert Bals....
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J'accuse is an 'essay-istic' documentary in which Greenaway's fierce criticism of today's visual ill...
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Following the death of a mother, a father and son open up their very own harem in their Genevan esta...
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"Rosa", with a libretto by Peter Greenaway and score by Louis Andriessen, is the first in a projecte...
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Peter Greenaway discussing a variety of topics, with each segment ranging in length from 6s to 2m47s...
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The fascinations of filmmaker Peter Greenaway, whose motto is "art is life and life is art,"are capt...
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Five hundred years after his birth, the life and career of the Italian Renaissance's last great pain...
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