Jeannine Oppewall

Jeannine Oppewall

Birthday: 1946-11-28

Place of Birth: Uxbridge, Massachusetts, USA

Biography: Jeannine Oppewall entered the film industry in the late 1970s after a six-year association with the great design innovators, Charles and Ray Eames. She worked as a set designer (Blue Collar, Blow Out, The Rose, Honky Tonk Freeway) before rising to the position of production designer in 1983 with Tender Mercies, the modestly budgeted ‘slice of life’ film, which brought Robert Duvall an Academy Award. For the next several years, Ms Oppewall designed an impressive variety of motion pictures for a diverse list of directors, many with international credentials. These range from the Russian Andrei Konchalovsky (Maria’s Lovers) and the Brazilian Hector Babenco (Ironweed), to include Costa-Gavras (The Music Box) and Luis Mandoki (White Palace). Other credits include Love Letters, The Big Easy, Rooftops, Wonder Boys and Sibling Rivalry. Other films for which she is known are Seabiscuit (starring Jeff Bridges), Catch Me if You Can (Directed by Steven Spielberg, starring Tom Hanks and Leonardo DiCaprio), The Sum of All Fears (starring Morgan Freeman), and Robert DeNiro’s The Good Shepherd, released at the end of 2006. Claudia has received 4 Oscar Award nominations for her films and received the Los Angeles Film Critics Association Award for Best Production Design, 1998 for Pleasantville. She also won the Art Directors’ Guild’s award for Excellence in Production Design for Catch Me If You Can, and was nominated for 5 others of her films for the same. She served on the Board of Governors of the Academy of Motion Picture Arts and Sciences for 9 years and is currently the co-chairperson of its Museum Committee.

Movies

Casablanca: An Unlikely Classic
Casablanca: An Unlikely Classic

The behind-the-scenes story of how "Casablanca" became an American film classic....

View Movie
And the Oscar Goes To...
And the Oscar Goes To...

The story of the gold-plated statuette that became the film industry's most coveted prize, AND THE O...

View Movie
Catch Me If You Can: Behind the Camera
Catch Me If You Can: Behind the Camera

A behind-the-scenes look at the making of Stephen Spielberg's "Catch Me If You Can."...

View Movie
Remembering Reno: Reflections on the Making of Desert Hearts
Remembering Reno: Reflections on the Making of Desert Hearts

Filmed in Los Angeles in August 2017, director Donna Deitch, cinematographer Robert Elswit and produ...

View Movie
An Old Fashioned Love Story: Making 'The Bridges of Madison County'
An Old Fashioned Love Story: Making 'The Bridges of Madison County'

Follow the difficult birth and full realization of this beautifully told romance through its many tw...

View Movie
Blue Collar
Blue Collar

Fed up with mistreatment at the hands of both management and union brass, and coupled with financial...

View Movie
Whatever You Desire: Making 'L.A. Confidential'
Whatever You Desire: Making 'L.A. Confidential'

Director Curtis Hanson and his cast and crew discuss the arduous but rewarding process of creating a...

View Movie
Sunlight and Shadow: The Visual Style of 'L.A. Confidential'
Sunlight and Shadow: The Visual Style of 'L.A. Confidential'

Curtis Hanson and his behind-the-scenes collaborators reveal the secrets of bringing 1950s Los Angel...

View Movie
The Making of 'Seabiscuit'
The Making of 'Seabiscuit'

Documentary on the making of the 2003 film 'Seabiscuit'....

View Movie