1971

When “Mary” (Moa Stefansdotter) receives an unexpected knock at the door, she confronts “Jack” (Peter Mörlin) with a shotgun! His car has just broken down, though, and all he wants is some help. What ... When “Mary” (Moa Stefansdotter) receives an unexpected knock at the door, she confronts “Jack” (Peter Mörlin) with a shotgun! His car has just broken down, though, and all he wants is some help. What now ensues offers us three possible eventualities of this encounter, two are violent, one more benign - but each are the product of her own imagination fuelled by her loneliness and all three permutations are neatly filmed before a Damien Rice style song sees us out. It’s an interesting short treatise on just how the human mind can react in totally different fashions even though it’s given the same stimulus and might also serve to advise against ever stopping off at a Swedish farm for help…