White Woman

After the suicide of her husband, down on her luck "Denning" (Carole Lombard) finds herself reduced to singing in a remote club where she espies a chance to escape the drudgery by marrying the "King o... After the suicide of her husband, down on her luck "Denning" (Carole Lombard) finds herself reduced to singing in a remote club where she espies a chance to escape the drudgery by marrying the "King of the River" - "Prin" (Charles Laughton). He's an outwardly charming fellow, but when she gets to his converted boat many days into the Malay jungle, she discovers he's a bit of a sadistic brute who rules his lucrative rubber planation ruthlessly. Her arrival sets the cat amongst the pigeons and sows a bit of dissent amongst his team causing temperatures to rise and tempers to flare - and that's before the arrival of the plain-speaking "Ballister" (Charles Bickford) who decides that this reign of terror must be stopped. How, though? "Prim" is well prepared and the natives are either terrified or armed only with spears against his guns. I'm an huge fan of Laughton but his role here seems a little too faux-cockney, vaudevillian and reminiscent of his performance from "The Private Lives of Henry VIII" also made in 1933 - especially when he is chewing to camera! Lombard is also out of sorts, a bit - her character has a stiltedness that even the romantic tryst scenario can't really enliven. It had potential, the story is good and the cast were all there - but Stuart Walker can't quite get this adventure firing on all cylinders.