Allegiant

The first compulsion is to reach for an unflattering label when dubbing the third installment of the **Divergent** series as "the poor man's **Hunger Games**". Sure, the comparison was inevitable but ... The first compulsion is to reach for an unflattering label when dubbing the third installment of the **Divergent** series as "the poor man's **Hunger Games**". Sure, the comparison was inevitable but all the Divergent editions had to do was prove that the unfair comparing and contrasting were wrong. Well, the knockoff status was indeed warranted and unfortunately this copycat YA Sci-Fi serving of a harried heroine and her excitable dystopian dealings never mustered up the kind of distinctive expectations that failed to fuel this flaccid futuristic fable. Hence, **The Divergent Series: Allegiant** is an over-stuffed mechanical continuation of a familiar film franchise trying desperately to fulfill its colorful action-packed whimsy left over by its pumped-up predecessors. As mentioned, **Allegiant** is the third episode of the **Divergent** movie series. Of course Veronica Roth is the literary voice responsible for the books on which these films are based. Jokingly, one would probably imagine that both Roth and **Hunger Games** author Suzanne Collins are twin sisters seeing as though their imaginative wells of creativity are similar in style and content. The only difference is that Collins's notable blueprint registered with forceful reception while Roth's wannabe material was like an identical shadow trying to break out in its own shade. Basically, **Allegiant** (much like the rest of the YA genre) is a glorified teen soap opera bombarded with awesome ray guns and youthful cynicism aimed at the controlling over-30 Establishment. Distrust and disillusionment is the recurring theme and the penalty for being young, attractive, repressed and rebellious is a cautionary tale for those that want to challenge the sinister Authority. As with **The Hunger Games'** Katniss Everdeen (played by Oscar winner Jennifer Lawrence) we are subjected to Divergent diva Tris Pryor (Shailine Woodley) as the feminine firecracker ready to spring into action defeating the aging forces threatening their post- apocalyptic presence. Unfortunately for Woodley's Tris she does not possess the explosive brooding or riveting material and eye-opening challenges that Lawrence's Katniss was blessed with from the get-go. At least one common denominator is clear: both bad-ass babes have totally catchy, cool-sounding names, right? The sluggish plotting in **Allegiant** revisits the enclosed post-apocalyptic Chicago where various "factions" of young folks are furiously fighting with one another. The tension is percolating big time as the trapped youthful residents are growing increasingly restless. The disenchanted Tris, along with her studly boyfriend Four (Theo James) and group of rebels, decide to break out of their Chicago-bound doldrums and climb the wall to escape their entrapment. Of course this means crossing over some treacherous terrain to reach a more, idyllic surrounding. The destination, as it turns out, is the comfortable haven for the monitoring overlords spying their every step. Thankfully, Tris and her bunch stumble upon a picturesque civilization headed by leader David (Emmy-winner Jeff Daniels). The surroundings look idyllic but David is very shady because his agenda is to recruit the pure and precious Tris for his genetic experimentation. With Tris as his main guinea pig the devious David can plan on using his experimental agenda on the underprivileged pretty kids back in the walled-off Chicago. The educated guess is that David most likely would extend the same kind of testing treatment for "the Fringes" as well (they are the masses that exist outside the wall of Chicago in less flattering pockets of the region). In any event, Tris represents the ideal vision for his replication of purity and perfection to be transferred to the "damaged" souls out there. While Tris is intrigued by the CEO's intention for bettering the impoverished population Four is skeptical about David's focus on his gun-toting honey bunny. To say that **The Divergent Series--Allegiant** is clunky and convoluted even for a showy older kiddie caper is an understatement to say the least. Director Robert Schwentke is basically on auto pilot here as the cameras roll while capturing the drawn out degrees of splashy stunts, showdowns and bombastic special effects flourishes. The silly-minded plot and utter familiarity of the "Big Brother watching over the young perished pretty people" feels empty and repetitive at its compelling core. One cannot perceive the transparent concept of **Allegiant** going through the motions without looking at this anemic actioner as a convenient means to bridge the upcoming remaining installments to protect its promising box office clout. So for those looking forward to **Ascendant** please hold your horses because this is what **Allegiant** strives for...to make one salivate over the next due edition to this tiring movie series. Sure, **The Divergent Series--Allegiant** and perhaps **Ascendant** will offer more of the same and if this is something that its avid fans do not mind then fine...knock yourselves out to your heart's redundant content. **The Divergent Series--Allegiant** (2016) Lionsgate 2 hrs. 1 min. Starring: Shailene Woodley, Theo James, Naomi Watts, Octavia Spencer, Ray Stevenson, Jeff Daniels, Zoe Kravitz and Miles Teller Directed by: Robert Schwentke MPAA Rating: PG-13 Genre: Sci-Fi/Action & Adventure/Fantasy/Romance Critic's Rating: ** stars (out of 4 stars) (c) Frank Ochieng 2016

> Realising what's left behind was the home. Here comes the most expected adventure in the 'Divergent' series. I always wondered what lies outside the wall. So this sequel takes us to the new land ... > Realising what's left behind was the home. Here comes the most expected adventure in the 'Divergent' series. I always wondered what lies outside the wall. So this sequel takes us to the new land where a fresh development takes place. A few old characters were terminated in order to introduce a bunch of new ones. As a theme, it just looked like 'The Scorch Trial', but of course totally a different setting. The director was retained from the previous installment and I think he did a good job. The concept was too familiar. 'Scorch Trial', 'Catching Fire', 'Aeon Flux', all these films are just like this one. Thankfully, this story was decent. At least better than the previous and weaker than the first. The pace drastically held back due to the split of a book into two films. It has been done in the old days, but the present trend began after 'Deathly Hallows'. I was excited to know how big stretch it is going to be as a story wise. Because it looked like the things they've accomplished in one place and looking to explore beyond the boundary. I couldn't predict the story, but I knew what's going to happen in the end of every scene. The dystopian theme was clichéd, not the storyline. The way it ended is a sign for a big finale to commence in the final film of the series. Let's hope for 'Ascendant' to end on a high note. 6/10

Probably my favorite out series. They finally make it past the wall and find a whole new world with advance technicallogy. Just like there world the other civilization has there own evil agendas.... Probably my favorite out series. They finally make it past the wall and find a whole new world with advance technicallogy. Just like there world the other civilization has there own evil agendas.

Picking up where "Insurgent" left off; "Tris" and "Four" determine that they must escape the walls of Chicago and make a new life for themselves - regardless of the risks and uncertainty. Once free - ... Picking up where "Insurgent" left off; "Tris" and "Four" determine that they must escape the walls of Chicago and make a new life for themselves - regardless of the risks and uncertainty. Once free - perhaps the only few moments of tension in the film - they hook up with a group of ostensibly like-minded rebels; but are they who they say they are? Seeds of suspicion are sewn that test the relationship between Theo & Shailene; and frankly the patience of the viewer. Jeff Daniels tries hard to inject some menace as "David" but Miles Teller "Peter" is just plain irritating. We are clearly heading for a grand-scale denouement, but where is it? Instead someone decided to leave us with some ambiguity (I suspect a fourth in the franchise may have been, at one stage, on the cards?) The actors are going through the motions as though they, too, can't wait for the conclusion so they can all go home for ice cream. It looks good, they look good, but it isn't much good...

Allegiant takes the Divergent series in a direction that just doesn’t work, despite having the same strong visuals and solid score as the previous films. The plot feels stretched thin, trying too hard... Allegiant takes the Divergent series in a direction that just doesn’t work, despite having the same strong visuals and solid score as the previous films. The plot feels stretched thin, trying too hard to expand the world while failing to give any real weight to the story. There’s an attempt to build tension and introduce new conflicts, but the character depth just isn’t there. Tris, who started as a strong lead, feels sidelined by a weak script, and halfway through, I found myself disconnected from her journey. The pacing is all over the place, with rushed moments that should have been developed and long stretches that drag without real purpose. The directing tries to hold things together, but it feels like the movie is constantly fighting against itself. Key decisions, especially involving Miles Teller’s character, make no sense at all. Shailene Woodley does her best with what she’s given, but the material doesn't support her performance. The rest of the cast ranges from passable to forgettable, with little to no meaningful character growth. Even the chemistry between characters, which was at least somewhat engaging in the previous films, feels forced and lifeless here. Visually, the cinematography and effects are decent, but they can’t save the film from its weak storytelling. The score is one of the few redeeming factors, adding some much-needed emotion and tension, but it isn’t enough to carry the film. The biggest issue is the lack of a satisfying climax or resolution. The movie builds toward something, only to fizzle out completely, leaving an empty, frustrating ending. It’s no surprise this installment flopped, considering how little effort seemed to go into improving the story. Instead of elevating the franchise, Allegiant feels like a step backward, making it clear why the final chapter was scrapped.