The Here After

Auteur Magnus von Horn has created something that is quite deeply troubling to watch here as we follow the struggles of the young “John” (Ulrik Munther) as he returns home after a period of incarcerat... Auteur Magnus von Horn has created something that is quite deeply troubling to watch here as we follow the struggles of the young “John” (Ulrik Munther) as he returns home after a period of incarceration. Whilst we are uncertain as to quite what he did, we do know that he was locked up for two years and that his return home and to school is being treated with pretty universal disdain by his small, tightly-knit, community. What now ensues is a delicately presented evaluation of mob rule. Initially using more psychological tools like shunning before that particular pot over-boils and heads inevitably towards more extreme and dangerous behaviour. Munther delivers a really quite poignant performance here as does Mats Blomgren as his distraught and increasingly conflicted father “Martin” and the assembled supporting cast who offer up an effective degree of animus and toxicity that resonates more as the story asks questions that we know cannot be answered straightforwardly by anyone. I did wonder, on the plausibility front, if the absence of the police or other authorities to keep an eye on this young man either for the protection of himself or his community didn’t quite ring true, but perhaps their omission from the thrust of the story managed to further illustrate just how brutal even the most ostensibly civilised can be when their wagons get circled. Not an easy watch, nor a conclusive one, but worth an hour and an half.