Overview: Indian scout Tom Jeffords is sent out to stem the war between the American settlers and Apaches in the late 1870s Arizona. He learns that the Indians kill only to protect themselves, or out of retaliation for white atrocities.
To talk of peace is not hard. To live it is very hard.
As the war rages between the American settlers and the Apache, former soldier Tom Jeffords happens upon a young Indian wounded after an attack...
To talk of peace is not hard. To live it is very hard.
As the war rages between the American settlers and the Apache, former soldier Tom Jeffords happens upon a young Indian wounded after an attack. Taking upon himself to aid the boy, it's not long before the Apache show up intent on killing Jeffords by way of the war instincts. Pleading for Jeffords' life, the boy manages to get him spared by the Apache chief, Cochise. It's the start of a friendship that may just bring and end to the war and peace across the west.
Tho not the first "social" Western film made, Broken Arrow, it can be argued, is maybe one of the most important and telling genre films of the 50s. Showing humanist portrayals of the Apache and dealing out level headed tellings of the relationships between whites and the Native Americans, Delmer Daves' film is as relevant today as it was back on release. Adapted from Elliott Arnold's novel Blood Brother, the story follows Jeffords (a measured and fine James Stewart) as he attempts to broker peace between the warring factions. Firstly by convincing Cochise (Jeff Chandler bang on form) to allow the mail run thru the pass, something that brings suspicion and calls of Indian lover from Jeffords' own kind, and then to finally set up a peace pact at a time when violence and hatred was rife in the west.
As the friendship between the two men grows, Jeffords and an Apache girl fall in love (beautiful Debra Paget as Sonseeahray), thus giving the story a further jolt of momentum. The screenplay then really hits its stride, as Daves and his crew pit peace and inter racial love against a backdrop of bloodshed and savagery. Never glossing over just how hard peace is going to be, Broken Arrow retains intelligence and a sensitivity even as breakaway factions from both sides (for example we see Geronimo split the Apache and form a renegade front) are intent on killing off the peace process. It even has time for deep emotional kickers to reinforce the point of just how tough and unlikely peace and tolerance can be sometimes.
Broken Arrow was, and still is, a bold picture. In fact it can be argued that for the likes of Daves and Stewart, it was at the time very bold and risky career moves. But it paid off because the film stands up today as a picture of some distinction. It's themes and approach to its subjects are something that this generation, and all the future ones, will always find to be socially important. Boosted by Hugo Friedhofer's luscious score and taking advantage of the Lone Pine location shoot, Broken Arrow is a fine fine film that even non Western fans should be looking to absorb. 8/10
CinemaSerf:
If you're looking for a traditional cowboys and indians film, then this might not be for you. Sure, there are the odd confrontations between the ever expanding white man and the Apache braves, but thi...
If you're looking for a traditional cowboys and indians film, then this might not be for you. Sure, there are the odd confrontations between the ever expanding white man and the Apache braves, but this is essentially a more cerebral look at the efforts both sides made to find an enduring peaceful solution. After months of no stagecoach and mail getting through, a pretty lightweight James Stewart ("Tom Jeffords") decides to try to find a better solution to their problems than the stalemate series of skirmishes between the two sides. He learns some basic Apache and goes off in search of their leader Cochise (Oscar nominated Jeff Chandler). After the usual scepticism, the two men agree to let the mail run. From then on, their trust begins to grow and the story follows their determination to cement this arrangement; despite reservations and resistance from vested interests on both sides, whilst "Jeffords" falls hook, line and sinker for "Sonseeahray" (Debra Paget). It's a touch sentimental, and it over-simplifies the problems and the solutions of the factual elements of the history, but it's still an engaging watch with a tragic but fitting conclusion and some epic cinematography along with a decent screenplay from the blacklisted Albert Maltz (who is actually credited in the version I saw).
