The Late Show

When “Charlie” (Bill Macy) turns up to talk to his old PI pal “Ira” (Art Carney) about helping “Margo” (Lily Tomlin) to track down her kidnapped cat, then he gets short shrift. He is far more concerne... When “Charlie” (Bill Macy) turns up to talk to his old PI pal “Ira” (Art Carney) about helping “Margo” (Lily Tomlin) to track down her kidnapped cat, then he gets short shrift. He is far more concerned with finding the people who recently murdered his partner and thinks she ought to just pay the “ransom”. She’s not got two cents to rub together, however, and so uses her wits to intrigue the man into following up her complaint against “Birdwell” (Eugene Roche) and his cashmere-clad henchman “Lamar” (John Considine). The first meeting doesn’t go so well - even if he does get a free Van Heusen shirt - but it does start a ball rolling for this curmudgeonly old grump who realises that his search for the killer and for her kitty are in some way connected. Tomlin’s on good form here but it’s Carney who steals this as his out-of-shape and cynical “Ira” sweats, huffs and puffs his way through a cheery detective yarn with an agreeable pace, some pithy dialogue and daft scenarios that reminded me of a sort of “Rockford Files” meets “McQ” enterprise. It does reset itself a little too often, but it’s still an enjoyable parody of many things from this genre that have gone before and I did enjoy it.