G.I. Jane

Listen, you moron! I am here to stay and if you don't wanna be in my life, you've got two choices. Move out or Ring out! That's it! End of File! G.I. Jane is directed by Ridley Scott and written... Listen, you moron! I am here to stay and if you don't wanna be in my life, you've got two choices. Move out or Ring out! That's it! End of File! G.I. Jane is directed by Ridley Scott and written by David Twohy and Danielle Alexandra. It stars Demi Moore, Vigo Mortensen, Anne Bancroft, Jason Beghe, John Michael Higgins and Kevin Gage. Music is by Trevor Jones and cinematography by Hugh Johnson. A female Senator succeeds in enrolling a woman into Combined Reconnaissance Team training (Navy Seals) where everyone expects her to fail. Having made a telling feminist mark with his excellent Thelma and Louise in 1991, Ridley Scott picks up the lady baton once again only to drop it half way through. This is a film of confused messages, what starts out as a worthwhile story involving a woman trying to overcome extreme prejudices in one of America's elite fighting forces, ends up as a gung-ho hoorah movie with Jane having "manned" up. Things aren't helped by the sheer ridiculousness of the treatment meted out to Jane by her superior in training, Master Chief John James Urgayle (Mortensen suitably vile), so much so you would like to think if that sort of stuff goes on then arrests should be made. Daftness also comes by way of the superior officers prancing around training camp in the world's tightest shorts, one would think they must be on their way to "The Blue Oyster Bar"... Things are further compounded by the fact that as committed as Moore is in the title role, and she is and gives it her all, one can't buy into the characterisation because you simply are watching Demi Moore the actress. Shaved head and beefed up she may be, but this is still one of the highest paid actresses of her era, the characterisation thin on the ground with no depth. The political machinations at work barely get time to breath in fact the key mid-point tonal political shift is given short shrift. Stylisation as one would expect from Scott, is super, as is his control of top draw action sequences. But the cock-eyed view of a woman in a man's world is hard to swallow, and although it mostly entertains, it's ultimately a shallow exercise. 5/10