Overview: A fleet of Martian spacecraft surrounds the world's major cities and all of humanity waits to see if the extraterrestrial visitors have, as they claim, "come in peace." U.S. President James Dale receives assurance from science professor Donald Kessler that the Martians' mission is a friendly one. But when a peaceful exchange ends in the total annihilation of the U.S. Congress, military men call for a full-scale nuclear retaliation.
Good watch, could watch again, but it's hard to honestly recommend.
This is one of those movies that is good because it is bad, whether or not that is done on purpose, for the purposes of parody. ...
Good watch, could watch again, but it's hard to honestly recommend.
This is one of those movies that is good because it is bad, whether or not that is done on purpose, for the purposes of parody. Otherwise it's just a good old jump in "The Way Back Machine" to see a litany of cameos or cheap parts by almost anyone who was famous in the mid-1990s. Though I do feel like most of the actors I liked were essentially wasted, but it is possible that was by design so the Martians could keep the focus for the majority of the movie.
Rethinking on the movie almost makes me want a modernization, it has so many little quirks and nuances that really brings it to a special experience. Even if you think it looks terrible, throw this on your queque and slot it in for a Bad Movie Night.
Filipe Manuel Neto:
**A film full of black humor, and for that very reason difficult to digest for many people.**
Black humor is doomed to be understood by very few, and this film, which is drenched in black humor fro...
**A film full of black humor, and for that very reason difficult to digest for many people.**
Black humor is doomed to be understood by very few, and this film, which is drenched in black humor from beginning to end, paid the price, becoming a minor failure. I believe that, even today, it is one of the less well-appreciated films of director Tim Burton's career, who made films considerably worse than this one.
The action takes place in the 90s and portrays a hostile Martian invasion of our planet. The US government (obviously, the other countries have virtually disappeared from the map and only France is mentioned lightly to show the total destruction of the country) is understandably tense: there are military personnel sexually aroused by the idea of using nuclear weapons against the invaders, there are scientists absolutely convinced that Martian technological superiority is reason enough to believe strongly in the good intentions of the visitors, there are politicians worried about the elections. Of course, when it comes time to showdown, the visitors get the upper hand.
Perhaps the best thing about this film is the strength and talent of its cast, filled with good actors who wanted to work under Burton's guidance. Jack Nicholson stands out naturally in the role of the president and does an interesting job, being well assisted by a discreet Glenn Close and a young Natalie Portman. Lisa Marie plays an unforgettable role where she doesn't have to say a single word, while Danny DeVito seems to revisit some previous characters to do his job here, which is little (but it's also true that he wasn't given much to do) . Tom Jones makes an interesting appearance. Pierce Brosnan looks like he's having fun while parodying himself. We also have good contributions from Sarah Jessica Parker, Annette Bening, Martin Short, Michael J. Fox, Rod Steiger and Jack Black.
Besides, the film is a gigantic satire on the sci-fi B cinema of the 50s and 60s, where it was common to see martian invaders and visitors. The cinematography is colorful, light, and the environment is light, funny. You can feel that the film doesn't take itself too seriously and doesn't want to be taken too seriously. So it works reasonably well, at least for those who accept dark humor well.
Wuchak:
**_Tim Burton’s spoof of ’50s sci-fi flicks with an outstanding cast_**
Shot in 1996 and released at the end of that year, Burton used the Mars Attacks trading cards from the ’60s as the template f...
**_Tim Burton’s spoof of ’50s sci-fi flicks with an outstanding cast_**
Shot in 1996 and released at the end of that year, Burton used the Mars Attacks trading cards from the ’60s as the template for his extraterrestrials. The film plays like the Mad magazine version of “Independence Day,” which beat this to the theaters by 5.5 months the same year. Yet Burton said he didn’t know anything about that movie and it was purely coincidental. Aside from the trading cards, “Mars Attacks!” spoofs ’50s flicks like “The Day the Earth Stood Still” and “War of the Worlds.”
It bombed domestically and didn’t do much better worldwide (although it was a little more popular in Europe). Either audiences had had their fill after the overlong (and disappointing) “Independence Day” or they found the movie silly and boring; perhaps both. Since then, it has gone on to achieve cult status.
While the idea is great and you can’t beat the production quality of Burton’s movies, it is somewhat disappointing on first watch and dull in ways, particularly the first half. However, there’s so much zany creative energy augmented by the second-to-none cast that it’s worth checking out and works better on repeat viewings. You just have to be in the right mood to appreciate it.
There’s a subversive element with the humans being lampooned while the Martians are having a blast with their conquest. Then you have entertaining bits like the Martians toppling the iconic Easter Island statues like bowling pins, not to mention the amusing commentary on country music in the last act.
As far as the “second-to-none cast” goes, there’s the likes of Jack Nicholson (in a dual role), Glenn Close, Annette Bening, Pierce Brosnan, Danny DeVito, Martin Short, Sarah Jessica Parker, Michael J. Fox, Rod Steiger, Tom Jones, Lukas Haas, Jack Black, Natalie Portman, Jim Brown, Pam Grier, Joe Don Baker, Lisa Marie, Christina Applegate, Natalie Portman and several others.
In the beauty department Janice Rivera rises to the fore as Cindy, the casino girl, with nods to Lisa Marie and Applegate. Burton could’ve done better on this front considering the resources.
Lastly, I love how Jim Brown and Tom Jones ultimately become the main protagonists. The former plays an ex-boxer stuck entertaining tourists dressed up as a Pharaoh at a Vegas casino, while the latter amusingly plays himself. If you don’t like the first half, stick around because the movie gains momentum for a superior second half. Or perhaps it’s just a matter of acclimating to Burton’s bizarre style and the world he creates.
It runs 1 hour, 45 minutes, and was shot mostly in DC, Kansas and Las Vegas, but also Inglewood in Los Angeles for the donut shop, etc.
GRADE: B
