Overview: In 1985, Willem de Kooning’s “Woman-Ochre,” one of the most valuable paintings of the 20th century, vanished into the Arizona desert after being cut from its frame at the University of Arizona Museum of Art. 32 years later, the $160 million painting was found hanging in the home of Jerry and Rita Alter in rural New Mexico.
If you recall the last proper edition of the BBC sitcom "Only Fools and Horses", you''ll remember that "Del" and "Rodney" discover an old watch that turns out to be worth millions at auction. Well thi...
If you recall the last proper edition of the BBC sitcom "Only Fools and Horses", you''ll remember that "Del" and "Rodney" discover an old watch that turns out to be worth millions at auction. Well this is a real take on that scenario, as house clearance folks are brought in to clear the ranch of a deceased, ostensibly middle-class, American couple. On the wall in the bedroom they discover a painting. These guys are pretty knowledgable, and suspecting it might be worth something contact the experts who identify it as a long-missing painting by Willem de Kooning that was stolen from an Arizona museum. On further exploration of their home, the inspectors soon discover that this couple had quite a collection of things that had "gone missing" and we are soon presented with some rather fascinating facts around just how they went around the world "collecting" as they went. Their photographs offered an ideal portrait of a typically unassuming American couple, yet they seem to have been astonishingly adept at relieving owners of just about everything from artwork to rugs. With contributions from their friends and neighbours, the FBI and the incredulous (and engaging) clearance men this is actually quite an entertaining look at the sheer audacity of their behaviour and of their successful "in plain sight" attitudes that served both well. Can't say I cared too much for the painting - but now worth a nine figure sum, I'm sure the museum were glad to get it back - even if it took 30-odd years.
Louisa Moore - Screen Zealots:
It is rare that one can become completely enamored with a documentary film, but director Allison Otto‘s “The Thief Collector” grabbed be from the opening frame. This true story of a museum heist in th...
It is rare that one can become completely enamored with a documentary film, but director Allison Otto‘s “The Thief Collector” grabbed be from the opening frame. This true story of a museum heist in the mid-1980s features an interesting topic filled with twists and turns, exceptional storytelling, and is a wildly entertaining film that will especially appeal to art lovers.
The day after Thanksgiving in 1985, a couple wearing simple disguises walked into the University of Arizona’s art museum. The wife distracted a museum guard while her husband literally cut one of the most valuable paintings of the 20th century, Willem de Kooning’s “Woman-Ochre,” from its frame. The pair ran out into the desert, leaving behind no fingerprints.
The criminals turned out to be New Mexico teachers Rita and Jerry Alter, who hung the painting behind the door of their bedroom for decades. The couple lived in a modest house in the small town of Cliff, but neighbors were always a bit suspicious of their outlandish trips around the world (some even speculate that they were financing these luxury excursions by selling stolen goods on the international black market). It was only after Rita’s death in 2017 that the missing painting was discovered by an antique shop that purchased their estate for just $2,000.
It’s a fantastic story that gets even stranger from there. Since much of the joy is in discovering the (downright bonkers) surprises that are revealed, I’ll keep this review spoiler-free. I will say that Jerry and Rita were indeed criminal masterminds, if certain parts of their story are to be believed. They also weren’t exactly the most upstanding citizens either, living their lives in a murky area where the lines of fantasy and reality were blurred.
The film features talking head interviews from family members, art historians, neighbors, and members of the FBI’s art crime team. The Alter’s story is told through old photos, police reports, and Jerry’s own “book of exotic tales.” Otto makes it fun by interjecting amusing, tongue-in-cheek reenactments that complement the mind bending story.
The documentary is never dry or boring, and the structure is masterful. Taking a clever approach that gets audiences to care about who stole the painting and why, the outcome of the crime is revealed first, which fosters a natural curiosity about Jerry and Rita’s background. There are several jaw-dropping revelations that are unveiled with perfect timing as Otto peels away the layers of the story. You couldn’t ask for a better understanding of documentary film directing.
The story goes places you’d never expect, and “The Thief Collector” raises some interesting discussion topics about the nature of collectors and the dark lives the Alters may have led. It’s one of the more compelling topics for a documentary film, and it’s one enthralling ride from start to finish.
